Il primo panel della giornata \u201cThe Working-Miracle Relics and Local Hagiography in the Eastern Adriatic Cities\u201d, proposto da SA\u0160A POTO\u010cNJAK, con PETRA PREDOEVI\u0106 ZADKOVI\u0106, BARBARA \u0160PANJOL-PANDELO, moderatore Gabor Klaniczay<\/p>\n\n\n\n IMC Leeds 2023 i Canonici Miscell.<\/strong><\/p>\n\n\n\n Na Sveu\u010dili\u0161tu u Leedsu (UK) od 3. do 6. srpnja odr\u017eala se znanstvena medievisti\u010dka konferencija na kojoj je i ove godine sudjelovalo vi\u0161e od 2500 izlaga\u010da iz cijeloga svijeta. S Filozofskoga fakulteta u Rijeci sudjelovalo je vi\u0161e kolega, a rad je Centra za istra\u017eivanje srednjovjekovne ba\u0161tine Jadrana, u okviru svojega izlaganja predstavila \u010dlanica Centra doc. dr. sc. Sa\u0161a Poto\u010dnjak.<\/p>\n\n\n\n Izlaganje je o kodeksima dalmatinske provenijencije u zbirci M. L. Canonicia (Canonici Miscell.), koja se danas nalazi u Oxfordu, izlo\u017eila 4. srpnja u sklopu projektne sesije Entanglements of Information: Medieval Book Collections and their Navigation Charts<\/em> (The Book of the Books Project Strand, University of Copenhagen, <\/strong>Ren\u00e9 Hern\u00e1ndez Vera, Research Fellow). <\/p>\n\n\n\n Izlaganje je o kodeksima, posebno o MS. Canon. Lit. 414, MS. Canon. Pat. Lat. 223, MS. Canon. Ital. 193 te MS. Canon. Misc. 336 koji se danas nalaze u zbirci u Oxfordu, dio projekta HRZZ IP-2020-02-5611 Predmoderna hrvatska knji\u017eevnost u europskoj kulturi: kontakti i transferi (voditeljica izv. prof. dr. sc. Dolores Grma\u010da), koje provodi Filozofski fakultet u Zagrebu.<\/p>\n\n\n\n Me\u0111u brojnim izlaganjima koje je u Leedsu bilo mogu\u0107e ove godine poslu\u0161ati, posebno valja izdvojiti fragmentolo\u0161ka istra\u017eivanja koja provode i suradnici Centra. Posebno \u017eelimo izdvojiti izlaganje Lise Fagin Davis (Medieval Academy of America) pod naslovom Structure, Style, and Substance in the Beauvais Missal<\/em>. Lisa Fagin Davis jedna je od vode\u0107ih stru\u010dnjakinja u podru\u010dju kodikolo\u0161ko-fragmentolo\u0161kih istra\u017eivanja te je svojim odgovorima u raspravi nakon izlaganja dala odre\u0111ene smjernice i u pristupu obradi fragmenata na podru\u010dju sjevernoga Jadrana. <\/p>\n\n\n\n Vi\u0161e o doga\u0111anjima na ovogodi\u0161njoj konferenciji u Leedsu mogu\u0107e je pro\u010ditati u biltenu koji objavljuje Sveu\u010dili\u0161te u Leedsu. Preuzimanje na: https:\/\/www.imc.leeds.ac.uk\/about\/imc-newsletter\/<\/a><\/strong><\/p>\n\n\n\n *****<\/p>\n\n\n\n The Fifth Biennial Conference of Medieval Central Europe Research Network Continuity and Change in Medieval Central Europe 27-29 April 2023, Bratislava<\/strong><\/p>\n\n\n\n \u010clanice Centra za istra\u017eivanje srednjovjekovne ba\u0161tine Jadrana doc. dr. sc. Barbara \u0160panjol-Pandelo i doc. dr. sc. Kosana Jovanovi\u0107 sudjelovale su svojim izlaganjima na znanstvenoj konferenciji, koja se odr\u017eala u Bratislavi od 27. do 29. travnja 2023. godine, a u okviru panela pod naslovom Transference of ideas and influences in the Central Europe and Adriatic area<\/em><\/strong>.<\/p>\n\n\n\n Doc. dr. sc. Barbara \u0160panjol-Pandelo<\/strong> odr\u017eala je izlaganje pod naslovom Medieval visual culture of the North Adriatic under the central European artistic and political influence<\/strong><\/em>. Doc. dr. sc. Kosana Jovanovi\u0107<\/strong> odr\u017eala je izlaganje pod naslovom Romance literature in Central Europe \u2013 transference, continuity and change of chivalric literary canons<\/strong><\/em>. U radu panela sudjelovao je i doc. dr. sc. Robert Kureli\u0107<\/strong> sa Sveu\u010dili\u0161ta Jurja Dobrile u Puli izlaganjem pod naslovom The Holy Roman Empire and the Croatian Nobility: Influence, Transfers and Changes<\/strong><\/em>.<\/p>\n\n\n\n Transference of ideas and influences in the Central Europe and Adriatic area<\/em><\/strong><\/p>\n\n\n\n Robert Kureli\u0107, Sveu\u010dili\u0161te Jurja Dobrile u Puli<\/strong><\/p>\n\n\n\n The Holy Roman Empire and the Croatian Nobility: Influence, Transfers and Changes<\/strong><\/em><\/p>\n\n\n\n U radu se govori o odnosu hrvatskih plemi\u0107kih obitelji i Svetog Rimskog Carstva te o politi\u010dkim, dru\u0161tvenim, kulturnim i simboli\u010dkim promjenama koje su nastale kao posljedica \u010destih kontakata sa Svetim Rimskim Carstvom u kasnom srednjem vijeku. Po\u010dev\u0161i od vladavine \u017digmunda Luksembur\u0161kog, hrvatski su magnati po\u010deli intenzivirati svoje kontakte s njema\u010dkim kolegama \u0161to je rezultiralo postupnim, ali zna\u010dajnim promjenama koje su se uvodile kroz stolje\u0107a. Te se promjene mogu uo\u010diti u pisanim dokumentima i materijalnoj kulturi, u bra\u010dnim vezama i vjerskim hodo\u010da\u0161\u0107ima.<\/p>\n\n\n\n Barbara \u0160panjol Pandelo, Filozofski fakultet u Rijeci<\/strong><\/p>\n\n\n\n Medieval visual culture of the North Adriatic under the central European artistic and political influence<\/strong><\/em><\/p>\n\n\n\n Srednjovjekovna umjetnost sjevernog Jadrana tradicionalno se smatrala sastavnim dijelom Mleta\u010dke Republike, odnosno onom kojom prevladavaju venecijanski utjecaji, kako umjetni\u010dki tako i arhitektonski. No novija istra\u017eivanja, s posebnim osvrtom na drvenu srednjovjekovnu skulpturu, pokazala su da je postojala i sna\u017ena veza sa srednjoeuropskim umjetni\u010dkim razvojem, osobito tijekom 15. stolje\u0107a. Nekoliko drvenih skulptura sa\u010duvanih na otocima Rabu i Cresu, kao i na sjevernojadranskom primorju poput Novog Vinodolskog i grada Rijeke, impliciraju sna\u017enu vezu sa srednjoeuropskom tradicijom, a ne s venecijanskom, o \u010demu se govori u ovom radu.<\/p>\n\n\n\n Kosana Jovanovi\u0107, Filozofski fakultet u Rijeci<\/strong><\/p>\n\n\n\n Romance literature in Central Europe \u2013 transference, continuity and change of chivalric literary canons<\/strong><\/em><\/p>\n\n\n\n Od 13. stolje\u0107a nadalje u srednjoj i jugoisto\u010dnoj Europi pojavljuje se sve ve\u0107i broj vite\u0161ke knji\u017eevnosti te se u ovom radu pokazuje koji je aspekt vite\u0161kog knji\u017eevnog kanona usvojen u srednjoj Europi, a koji je izmijenjen kako bi se zadovoljio njezinu publiku. Naime, prikazat \u0107e se kako su ti utjecaji nastali i kakve su bile posljedice takvih kulturnih susreta i razmjena koje uklju\u010duju knji\u017eevnost kao sredstvo ja\u010danja plemstva, vite\u0161tva, ali i rastu\u0107eg trgova\u010dkog stale\u017ea, posebice uporabom nacionalnih jezika kao na\u010din pokazivanja svoje neovisnosti i individualnosti.<\/p>\n\n\n\n *****<\/strong><\/p>\n\n\n\n Journ\u00e9es d’\u00e9tudes \u2013 The Adriatic between Late Antiquity and Early Middle Ages: Space of Transfer of Ideas and Forms<\/em>, Besan\u00e7on, Francuska, 7. \u2013 8. 10. 2022. <\/strong><\/p>\n\n\n Doc. dr. sc. Goran Bilogrivi\u0107<\/strong> (keynote speaker) odr\u017eao je pozvano izlaganje pod naslovom Tracing the Impact of the Carolingian Renaissance on the Empire’s Adriatic Periphery<\/em><\/strong>:<\/p>\n\n\n\n The Adriatic Sea truly always has been a space of transfer of ideas and forms, as is aptly stated in the title of this doctoral workshop. In the early medieval period this was especially true in the 9th<\/sup> century, when a large part of it was dominated by the Carolingians. In the west their Kingdom of Italy, and in the east their Dalmatia, i.e. the Croatian Principality under Italy’s overlordship. Although the written sources are relatively scarce, ties and contacts between the two Adriatic coasts are undisputable and manifold. When speaking of the transfer of ideas in that period, we have to bear in mind the wider context of the Carolingian Renaissance. The reflections of this programme of religious and cultural renovatio<\/em> are clearly visible in Croatia in various aspects \u2013 in church architecture and sculpture, in script, in its influences on political and social organisation. And particularly so in the central third of the 9th<\/sup> century. <\/p>\n\n\n This is, after all, a period in which a learned Carolingian monk spent some time at the court of one of the first Croatian dukes, Duke Trpimir. Gottschalk of Orbais, persecuted throughout the Empire by some of the most influential figures of the Carolingian world, fled from Friuli and found refuge at Trpimir’s court. Although the first-hand sources are not very telling, this sojourn must have been impactful. With the main focus on this historic episode, as well as the developments in the ensuing decades, this paper will explore the wider consequences of the Carolingian Renaissance for the complex relations between the Empire and its southeastern priphery, thus also the relations around the Adriatic Sea. <\/p>\n\n\n\n G. Bilogrivi\u0107<\/p>\n\n\n\n <\/p>\n\n\n\n IRCLAMA: 29th<\/sup> Annual International Scientific Symposium of the International Research Center for Late Antiquity and Middle Ages, University of Zagreb,<\/em> Pore\u010d, 29. 9. \u2013 2. 10. 2022.<\/strong><\/p>\n\n\n Doc. dr. sc. Goran Bilogrivi\u0107<\/strong> odr\u017eao je izlaganje pod naslovom Carolingian renaissance and social identities in 9th-century Dalmatia and Croatia<\/em><\/strong>:<\/p>\n\n\n\n Carolingian expansion entailed various transformative processes within local societies on its fringes. Among those processes were also formations of new identities as well as transformations of old ones through finding new modes and symbols of identification or specific forms of representations of belonging to newly emerging status- and ethnic groups. The Carolingian Empire thus contributed to creating a lasting patchwork of groups from the Baltic to the Adriatic Sea, while at the same time uniting large areas of the continent under one encompassing entity. <\/p>\n\n\n![\"\"](\"https:\/\/rimah.uniri.hr\/wp-content\/uploads\/2024\/10\/Cantieri-1-1.jpg\")
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/a><\/a><\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure><\/div>\n\n\n<\/a><\/figure><\/div>\n\n\n*****<\/code><\/strong><\/p>\n\n\n\n<\/a><\/figure><\/div>\n\n\n